Snails in Medieval Manuscripts: Another Getty Center Exhibit

Adam Naming the Animals

 

 

I’m adding this image to my collection of snail images from the Middle Ages:

 

 

http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=305896&handle=li

http://www.getty.edu/art/exhibitions/gothic_grandeur/

Adam Naming the Animals

 

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Early Comics = Medieval Manuscripts: UCLA Extension Course

Kelly Williams is offering the 3-week course The Medieval Comic Book: Illustrated Stories in Illuminated Manuscripts. You’ll get first-rate art instruction that begins with a lecture and hands-on demo, then is held on site  for two meetings at the Getty, then finally in a studio class held work with the materials and techniques in a studio class held at 1010 Westwood where students work with the materials and techniques. One unit of arts credit can be earned. The class costs $195.

I took a similar version of this course last summer. Kelly Williams is an excellent instructor, with expertise on a subject rarely taught in this format. A huge bonus is getting to use (and bring home the leftover) authentic pigments like lapiz and real gold leaf.

Course description:

https://www.uclaextension.edu/r/Course.aspx?reg=W1591

(Estimated supplies cost is $25.) Before manga and movies, decorated books inspired and awed the public by illustrating famous religious and secular tales. This three-part course explores stories in illuminated manuscripts through lecture, discussion, a museum visit, and a studio session. The first class investigates how and why these books were made and includes a hands-on exploration of medieval materials used in their creation. Class two visits the Getty Museum for an extended tour and sketching exercise of the exhibition “Stories to Watch: Narrative in Medieval Manuscripts.” The third session is a studio class, where students use manuscript templates to create their own illuminated page. Internet access required to retrieve course materials.

Westwood: 415 1010 Westwood Center
Saturday, 10am-1pm,
March 12

Los Angeles: Getty Center
Saturday, 10am-1pm,
March 19

Westwood: 321 1010 Westwood Center
Saturday, 10am-1pm,
March 26

3 meetings total

Another post about medieval art you might enjoy:

https://animary.wordpress.com/2010/08/17/discovered-got-medieval-by-craig-pyrdum/

Getty Center Workshop on Drawing Drapery with Zhenya Gershman

Last week I took a 3-hour workshop with Zhenya Gershman at the Getty Center. I signed up for the class because I wanted to develop more facility with the drawing of drapery. My miniature illustrations,  such as  Media and Melancholy and Bipolar Depression and Family Support, contain figures wearing heavy robes.  I plan to continue using historical costume in my paintings, so mastering the “ins and outs” of drapery is important to me.

I expected the class to be useful but not necessarily fabulous. I didn’t bother to review the instructor’s credentials, so I was delighted to find out that  ZG is not only a master teacher, but a child prodigy, having received artistic acclaim in her native Russia from the age of 10!

Zhenya introduced herself individually to each student before the class started.  More teachers should do this; it establishes trust early and builds student confidence. Z projects tremendous energy and enthusiasm. Her lecture with images was deceptively breezy; to present so much content so clearly requires much research and preparation. The handouts were first-rate, concise yet suitable for  beginner or advanced student. A lot to take away for a 3-hour workshop!

I’m taking the “warts and all” approach and revealing my class drawings here. The first was from Z’s visual description and not from looking at the drapery:

Sketch 1

I’m comfortable looking at things and sketching them, but not necessarily with drawing something from memory. So the result looks a little stereotypical, but I applied the idea of tension points that Z presented.  Note the point where the folds start to cascade.

Being more comfortable with looking and drawing at the same time, I came up with Sketch 2, based on fabric pinned to a form:

Sketch 2

While we were sketching,  Zhenya presented the idea of the “eye” of the fold, which was new to me. This is where “the fold is formed when pressure pushes material out in the center to form a more prominent point. The ‘eye’ is the starting point of all the planes.”*

This sounds technical but it’s easy to see, especially in classical drawings and paintings. You just have to look for it.

Enough with my drawing lesson. Here is the final sketch from a Flemish painting in [the location and artist into to be added later]. We had 45 minutes to work, so I got absorbed and forgot to write down the source.

Final Sketch

For upcoming Getty Center short courses for adult learners, go to http://www.getty.edu/visit/calendar/events/Courses.html

*from Zhenya Gershman’s August/October 2010 handout

Rosy Renaissance Art Cards and Prints

Earlier today I met Zlatka Paneva of Rosy Renaissance. She was exhibiting her art prints and cards at “Affaire in the Gardens,” an art show that’s been held in Beverly Hills since 1973.

I like to mix historical and contemporary themes in my own work, and admire Paneva’s designs for taking this approach. Her artful mix of 16^th-century imagery and vintage graphics is clever and sophisticated.

Here’s the link to shops across the US and Canada that carry the RosyRenaissance line.